#and I think I succeeded for the most part

[ishaslife]

Love and Deepspace:

Caleb Trailer Breakdown

Okay, so, I was confused on the trailer for a while and honestly a little put off at the whole "villain" vibes I got from it. But... I feel like there's something deeper going on here. Just hear me out:

"23rd Neural Control Experiment"

Pay close attention to the word, "Neural," to do with the brain and the nerves, as well as "control." Then, we see him struggling.

He's moaning and groaning, almost as if he's trying to fight against it. He looks like he's pain and then suddenly,

He's fine, he's IN control. His whole demeanour changes momentarily and all the lights around him come to life, it's not chaotic anymore. Until,

He wakes up, as if from a dream, absolutely terrified. He's sweating and scared, he's almost relieved to realise that it was a dream. But... What if it wasn't? I have always bought into the theory that Caleb and MC were brought together as a part of a bigger experiment by Ever, to test their evols and how they would get along.

Caleb has always been experimented on to better suit the needs and purposes that Ever plans to achieve with him and MC. He is being mind controlled by Ever, it's a "Neural Experiment" after all, Ever is trying to gain control of his thoughts and feelings, to make him detach himself from the MC to be able to use his telekenisis/gravity manipulation evol more effectively. Caleb seems unaware of this, he thinks that all of this is a dream when it's likely not. It's a result of all the poking and prodding Ever did in his brain since he's been a child. And Caleb's feelings for the MC are so strong that he's always able to fight against it, even if he is aware of it.

Ever blew up their house, likely because they thought that if MC knew that Caleb is definitely dead, they'd be able to keep her away from Caleb and keep Caleb away from her, making it easier for them to manipulate his brain to their liking.

Caleb is a sweet guy. The moment I saw him in the game, he was instantly the "protective-older-oppa-niichan" archetype. And this sudden shift in him in the trailer made me feel... Strange to say the least. It was absolutely jarring. I don't think he's evil, I think he's being made to think he is evil.

The still from the trailer below; it shows what is likely his apartment and everything is boxed up, it's almost as though this is from the day he moved to skyhaven or a few days after.

(side note: it's kinda cute that the only thing he unpacked is that photo of, what I assume is, him and the MC on the left.)

This is most definitely the past because,

He still has the necklace and he seems as soft as we know him to be, he caresses the necklace with care and in memory, almost as if he's consoling the MC like, "I'll never hurt you, don't worry." (And well, also just because he misses her and wishes she was with him.)

And then, this beautiful dream-like scene, almost from a memory changes into something far darker.

It's as though he's not himself anyone, he's someone who has been twisted. Ever has succeeded and it's up to us to make him remember again.

To add: the apple symbolism. His art and his motifs are often littered with apples and snakes, snakes are often seen as symbols of seduction, betrayal and most importantly: duality in most world mythologies and the apple, it's quite literally the seduction and fall of Eve/mankind. Even the snake, the devil takes the form of a snake when trying to seduce Eve to eat from the tree.

Perhaps the snakes at meant to represent his duality, and Ever as they are the reason for his duality in the first place. Meanwhile, the apples: his fall orchestrated by Ever. Ever is the devil and Caleb fell for their trap, unknowingly just as Eve did.

[sparkles-rule-4eva]

Idk if I'm gonna make a review post, exactly, but the things that went on with Sonic's character in movie 3 have left me reeling, and dying to analyze. I don't have many screenshots to share, and the ones I do aren't good quality bc the movie's not released digitally yet, but here goes.

For one, the theme of dealing with grief was so well handled. I was hoping they were going to use the parallel of this Sonic losing someone close to him, just like Shadow had, and that's just what they did. What made it even more painful, however, was how Sonic was faced with the possibility of losing a second parental figure.

Shadow saw him hunched over Tom, pleading with him to wake up, and remembered himself doing the same when Maria had died. That was where Shadow saw a bit of himself in Sonic.

Shadow took mental notes of it, but he didn't back off, though he didn't make any other attempts to hurt Tom. Heck, he wouldn't have attacked in the first place if Tom hadn't been disguised as Walters.

And just... watching the way Sonic just started spiraling after this scene was so heartbreaking. The way he looked so lost and broken as they were taking him away in the ambulance, when Maddie didn't say anything to them, and the camera just zoomed out for a few seconds, showing him and his brothers looking so small and so lost in the world as they were left alone, unsure if their dad would be okay.

Sonic didn't want comfort. After the initial fear and grief, the anger he'd felt earlier when he turned on Shadow came back with a vengeance, quite literally. Looking at their calmer, almost normal everyday life earlier in the movie, it seems everything's fine. Sonic seemed fine and perky. I was taken aback at how calm he was about finding his old cave. He seemed fine, all things considered from earlier in his life. The Before Times, as fanfics have dubbed them.

But the moment his found family was threatened, the moment he was faced with the possibility of losing the home and love he'd finally gotten after so many years of pain and isolation, he fell apart. He became aggressively protective of it. Of course he would want to defend those he loves, but not like this. Not the Sonic we know.

The way Shadow phrased it later, "What kind of hero abandons his friends to seek revenge? Abandons his family?"

That struck a nerve, but Sonic just snapped back, "Don't you dare talk about my family."

The expressions he had after he'd taken the Master Emerald and gone after Shadow were so complex. You can see the mix of emotions on his face. Most clearly, the anger. But mixed in, you see the pain, the grief, the paralyzing fear of losing someone else, and you see how emotionally fragile he really is.

Shadow scoffs about how he'd thought that Sonic cared for them. "Especially the one, what's his name again? Tom?"

And that pushed him over the edge.

The way he just let out that chilling scream of rage and grief and went on to punch Shadow so hard he quite literally sent him flying straight into the moon. He was enraged. He was distressed. He was spiraling. And he was, for a few minutes, completely out of control.

We know that this version of Sonic is not so reserved about killing people, like the game version. In the second movie, Sonic had every intention of killing Robotnik in the final battle, and he thought he succeeded. This marks the second time that if someone threatens Sonic's family, he's out for blood. In that vein, he's like his game counterpart; it's the safety of his loved ones, not himself, that he's concerned about. Passionate about.

Except.

He could not bring himself to do it.

I think part of him was remembering what Walters had said about Shadow having experienced loss, the way he had.

He'd won here. He could've just killed Shadow right then and there. Shadow was even goading him into just doing it. Demanded what he was waiting for. Pointing to his own chest and yelling that he was right there. To just do it. (Another thing to analyze; Shadow was just done with everything and didn't even care if he died at this point, but that's for another post.)

But something was stopping him.

Even in those screenshots, you can see the pain and anger mixed on his face. I could be mistaken, but it looks like there's a tear in his eye. (If I'm right, the idea of him crying during this fight makes me break apart in sadness.)

And then came the flashback. This is what drives me insane.

In Sonic Adventure 2, Shadow is out to destroy the world, and it's remembering Maria's true final wish that stopped him.

I never could've predicted that in this version, it was Sonic who was out to kill someone, kill Shadow, but remembering Tom's words to him about not letting his pain change who he is was what stopped him. Sonic was the one who needed to stop and remember. And that's just what he did. 🥺

And then, only then, was he able to calm down, remember himself, remember what Tom would want him to do. He wasn't handling this the same way he'd handled Longclaw's death. He was turning into exactly what Shadow had become. The horror at realizing what he'd nearly become, what he'd almost done, set in.

He made the right choice in the end because of that. Just like Shadow did in the games. Just like he later did here, too. But Shadow was able to have "redemption" of sorts in this version, not because of some talk, but because he saw the example in Sonic, right in front of him.

We know what happened next, I'm not gonna go much into it. But seeing this whole side of Sonic, the side that just barely slipped out in the last movie, was so, so fascinating. I love how each movie continues to explore him as the main character, in a different way. This one probably got me crying the most. I cried even as I wrote this post and put more pieces together. The more I think about it, the more I love it. 🥹😭💙💛❤️

[oceanwithouthermoon]

ive seen you say terusai is implied a lot but i dont remember ever seeing you explain why you think that

yeah now that you say it, i dont think ive ever gone into depth about it 😭 its really hard to put my thoughts into words because its sooo much, i started writing a long analysis recently on their relationship, why i believe they have feelings for each other, and why they would work but itll probably sit unfinished in my drafts for a while

for now, i'll give you a few of my most noteworthy thoughts...

the mixer scene has teruhashi unknowingly proving to saiki that her feelings are true, and he accepts that and stops trying to get her to stop pursuing him. i dont believe he ever actually makes any REAL effort to try to stop her from liking him ever again after this. he genuinely hadnt acknowledged her feelings as true or at least not as deep yet, which is why he thinks hes succeeding at getting her to move on until she proves that not only is she still thinking of him, but shes NOT thinking of a fake version of him... shes thinking of HIM... she genuinely enjoys his company even when hes doing nothing but sitting there (which is factually and obviously what he wouldve been doing in this situation, people deny that for some odd reason but like. thats what he does. with ANYONE. even his own family and everyone else who knows of his powers.) and wants him around... i think some part of him stopped because he felt guilty for not believing her feelings were true and trying to control her heart despite her genuine intentions, and another part of him was realizing that he doesnt WANT her to stop having feelings for him... otherwise, why would he drag the other guys away WHILE acknowledging that she wouldnt have gone with them anyway??? after inserting himself into a rock paper scissors game for who gets to be the one to be with her???? HELLO?

and the offu, although i dont believe it was a direct declaration of him being in love with her or whatever, has obvious canon romantic connotations... teruhashis determination is something saiki has admired about her since the very beginning, but it isnt until THIS moment that he thinks in depth about what that entails... she makes him realize all at once that she truly IS the type of person he admires most... and his "offu" is exactly what teruhashi needs, she would have a straight up epiphany if she knew about it, because he DIDNT gasp at how beautiful she is, or anything she forced herself to do, or when she forced herself to CHANGE, he ONLY gasped when she let herself embrace a part of herself that was REAL and TRUE, her unwavering dedication and pride.

THIS chapter is where they both have huge realizations about themselves and each other, and they both prove that theyre more than willing to meet in the middle for the other...

saiki lives his life forcing himself to blend into the background, not because he genuinely wants to but because hes afraid to be SEEN.

teruhashi lives her life forcing herself to be perfect and the center of attention, not because she genuinely enjoys it but because she believes she wont get the validation she feels she needs if she doesnt give everyone exactly what they want from her.

and yet, here saiki is, allowing himself to jump into the spotlight and be seen catching teruhashi out of nowhere and carrying her to the nurse. and here teruhashi is, allowing herself to be seen being imperfect, forgetting something, and not caring about her conversation with these men. FOR EACH OTHER. they both let themselves break down a wall because they care more about the other than about the fake selves they dedicate their entire lives to, THEIR GENUINE CARE FOR EACH OTHER GIVES THEM THE COURAGE TO DO THAT.

and this is probably the number one reason why i think their feelings for each other are implied... this alternate timeline is quite clearly one where saiki is more open with his friends, and he and teruhashi ARE DATING in this universe. theres absolutely no other explanation for the author writing that. he spelled out "IF SAIKI WERE MORE OPEN WITH HIS FRIENDS, HE WOULD BE DATING TERUHASHI"

the saiki of that timeline isnt exactly the same as the saiki we know of course, and their relationship will not develop in the same way, but theres clearly intention behind this and it wouldnt be written and called attention to if there was no significance, youd have to jump through hoops to deny that 😭

overall, i think they both have a lot of work to do on themselves before they can be in a relationship, but not only do i believe they WILL eventually get there but also that they both need each other on their personal journey to get to that point, or at least that they are and will continue to be important in the others journey there, and their romantic feelings for each other are so clear... these two are so important to one another...

[quietwingsinthesky]

@notfredj I need you to know that you are picking up the clues exactly right about that fic. I wrote it on purpose to be ambiguously either “actual Midam daughter who Michael named after his brother because he has so many issues” and also “Lucifer got her grace torn out and is being raised by Midam as their daughter and this is Not Going Well”

[lovesickeros]

☆ de fontaine

{☆} characters furina {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings angst, suicidal thoughts, hurt / no comfort {☆} word count 1.4k

This wasn't fair. This wasn't fair. This wasn't fair!

She thought, for one moment, she could put the mask down and breathe – for one moment of daydreaming, she thought she could just be Furina. She thought she would finally get to live the live she should've had in the first place, the life she threw away to play God to an audience who saw her as nothing but a circus animal, dancing to their whims. Furina just wanted to be selfish for one brief and fleeting moment..and it was gone before she could even grasp it in her hand. A comet soaring past far out of her reach.

She can barely keep her hands from violently shaking as she looks down at them – broken and bloody and more a corpse then a person – and she feels so numb she can't even feel the rain pelting against her back. None of this is fair, she wants to scream, why is it always me? But her voice is silent beneath the torrent of rain. She wonders if the ocean would take her if she sank into it's depths – just for a moment, she wonders how it would feel to finally be able to sleep at ease.

Furina is tired.

But Furina is nothing if not useful, isn't she?

So she forces her feet to move, dragging against the stone beneath her heels, and drags their bloodied body into the nearest empty building, letting the rain do the work of washing away the smeared blood following her path. The smell makes her feel sick, the feeling of it sticking to her hands and gloves makes her lightheaded, but she persists. Because Furina is useful, because Furina won't let them die out in the rain, because Furina won't stand by and just let them rot on the streets like some..pest.

Furina wants to go home. She wants to sleep and she isn't she if she wants to wake up, this time. But she keeps going anyway.

Because it's all she's ever done, and the habit sticks.

An Archon she may not be, not anymore, but the expectations of five hundred years still linger like eyes on the inside of her skull. They watch her, pry and prod at her thoughts, mocking laughter and judging eyes following her as she forces herself to dance to the song they weave with glee. Furina never stepped off that stage – she's still there, she thinks, watching the crowd stare at her in disdain as the curtain call looms above her like a guillotine. She still hears Neuvillette deliver her damnation and salvation with a trembling voice, still feels her hair stand on end when electro crackled like the crack of the whip, Clorinde's blade aimed at her like a loaded gun.

She's trapped on that stage and she never left, not really.

She hates it. She thinks she hates them, but it's not their fault. They didn't ask for this, didn't ask for everyone to turn against them, didn't ask for her to save them. Neither did she..yet here they are, she thinks.

She tries to tell herself she's in control this time, though. She can stop performing her part in this horrible, bloody play any time she wants. It makes her feel better, just for a little while, if she convinces herself she's still Furina, painfully human.

And Furina has always been good at lying.

It's the believing that's the hard part.

There isn't time for her to wallow in her own self pity, though. They're still bleeding out onto the dusty, creaky floorboards of some random, broken down house and she's just standing there as the blood stains the wood. She can fix it – she's good at fixing things. She's done nothing but fix things – try to, anyway – for five hundred years. She can fix a little wound, how hard could it be? Her hands are clenched so tight they ache as she kneels down, wincing at the creak of the floorboards beneath her heels– she hesitates just long enough to wonder if she's making a mistake before she peels away just enough of the outer layer of their clothes to see the deep, bloody gash across their chest. She tries not to think about it – it's deep, too deep, and she feels dizzy just looking at it, but she's handled worse, right?

Furina can fix it. That's what she's good at.

She doesn't feel so confident when she tries to wrack her brain for..something. Five hundred years, and a little wound stumps her? No, she had to have learned something, right? She's decidedly not trying to buy time because she's panicking, parsing through hundreds of years of memories like flipping through a book. Furina isn't made for this, not really – she's running on nothing but adrenaline and she's really not sure what she's doing, but she's trying. And just like before, it won't be enough, will it?

She'll fall short again – she'll be too late to fix it before she's alone again.

Furina was an Archon..used to be. What use would she have for that sort of knowledge? Which makes her predicament all the more harrowing and bleak. What was she supposed to do?

Furina had heard it first hand, that vitriol in Neuvillette's voice. She isn't sure she's ever heard him that..angry before. She's not sure he would listen to her if she tried, either. And that scares her more then anything. All of Fontaine was up in arms about this..imposter, yet here she was, staring down at them bleeding out in front of her, and she was trying to save them.

Why? Why is she throwing away her only chance at normalcy for a fraud? Why didn't she just turn them in?

They were dying – that should've been a good thing, shouldn't it? So why didn't it feel like it?

"Why you?" Her voice breaks as she speaks in harsh tones, grabbing the front of their shirt in trembling, bloodied hands. "Why now?" She wants to scream, to demand answers they can't give, to claw back the reprieve she was promised after five hundred years of agony..and all she can do is sob into their chest, pleading for an answer that will not come. "Why me?"

Silence is their answer, and it hangs heavy on her trembling shoulders as she cries.

Of course they don't, she thinks bitterly, no one has ever answered her pleas spoken in hushed sobs. Not her other self and certainly not them.

Furina has always been alone. Furina will always be alone.

Because Furina never left that stage, never left that moment when she looked at herself in the mirror and took up a mantle too heavy for her to bear. She always finds her way back eventually. There's no one on the other side anymore – she stands alone on a stage, waiting for an inevitable end she isn't sure will come.

"Please," She pleads through tears and choked sobs, clinging to them like they are all that keeps her from sinking. "Please don't leave me, too." The words burn on her tongue – how pathetic is she that she craves companionship from the bloodied body of the imposter? Perhaps she's truly lost her mind after all these years..perhaps she's finally gone mad. She must have.

But their presence is like the first feeling of gentle warmth upon her skin as the sun crests the horizon, like the gentle lap of tides along her heels, the sway of branches and leaves as the wind blows through them like an instrument all it's own. They are the soothing sound of rain against the window as she watches the dreary skies in fond longing, the first bloom of spring as color blooms upon the landscape like paint had been spilled across the hills and valleys.

They are like the faint spark she carefully nurtures and stokes, so fragile even the smallest wind could blow it out like a candle. She cradles it within her palms, pleads with whoever will listen – prays that someone finally listens, because if not for her, then for them.

She's failed to protect too much already, let too many people with so much trust in her fall between the cracks of her fingers like grains of sand. She won't let them go – she can't.

If nothing else, if she couldn't be saved when she begged for salvation from that five hundred year long agony, even if she never got that chance..

Furina will make sure they do.

[emotinalsupportturtle]

I can’t stop thinking of how despite it baffling most non-brits, and most of the Hollywood a-list audience, David Tennant decided to do a skit on his little lockdown rpf show, make a bunch of puns that only people familiar with British culture would get, wear a kilt and be his usual manic self when hosting an internationally prestigious award show

fucking power move

[bayetea]

also I'm a percy jackson stan until I die of course but it would be nice if we could not exclusively talk about other members of the main cast (the non-white ones especially) only in furtherance of percy and his character/personal acclaim/strength as a demigod

like every time I see a high-note text post about the percy/frank/hazel dynamic it's about "WOW frank and hazel think percy is so cool hazel literally thought he was a god he is so powerful." like yeah. did you guys know that they're also friends and they love each other!!!! did you know that percy admires frank and frequently praises him and encourages him to build up his self-worth and confidence! did you know that hazel comforted percy when he was emotional and scared at the neptune altar in camp jupiter and he gets angry when phineas insults and degrades hazel for being undead! did you know that frank and hazel saved him when he was so frightened and disturbed by evil centaurs and cyclopes that he was paralyzed and couldn't move!

did you know that frank and hazel also just have their own things going on divorced from percy because they're heroes of olympus too! did you know that they aren't just decorations for percy's character they are their own people! idk something to keep in mind (I'm a SON stan if u can't tell)

[mohntilyet]

To be fair to "illario is bad at lying" I don't think he had a contingency plan for "my cousin who I tried to have murdered came back after a whole year of being tortured in an underwater prison by the lady I've been sleeping with and he's an abomination now, also I have to pretend my grandma got murdered." His plan got monumentally fucked up

THAT’S WHAT I’M SAYIINNGGG. no matter how good or bad you are, i do not seriously think there’s a way to prepare for all that and then execute a follow up plan that’s not just “oh fuck i gotta do something” i think. of course this could have been avoided if he just killed lucanis himself but i like to think he has a heart in there

[wonder-worker]

"It is too easy to dismiss [Leonor of Navarre] as an overambitious schemer who would do anything to obtain a crown, shedding the blood of her own siblings and her subjects in order to attain the throne. However, a deeper investigation of her long lieutenancy and ephemeral reign shows a woman who fought tenaciously to preserve her place but also worked tirelessly to administer a realm which was crippled by internal conflict and the center of the political schemes of France, Aragon, and Castile. She tried to broker peace, fight off those who opposed her, repair the wounds caused by conflict, protect the sovereignty of the realm, and keep the wheels of governance turning. Leonor was not always successful in achieving all of these aims but given the background of conflict and the lack of cooperation she received from all of her family members, bar her loyal husband, it is a huge achievement that she survived to wear the crown at all. Many writers have argued that Leonor deserved the troubled lieutenancy, personal tragedies, an ephemeral reign, and a blackened reputation, basing their assumption that she committed a crime that cannot be [conclusively] proven. However, a more fitting description of her would be that of a resolute ruler who successfully overcame a multitude of challenges in order to survive in a difficult political landscape and gain a hard-fought throne.”

-Elena Woodacre, "Leonor of Navarre: The Price of Ambition", Queenship, Gender and Reputation in the Medieval and Early Modern West, 1060-1600 (Edited by Zita Eva Rohr and Lisa Benz)

[jichanxo]

oc art again! (pt 1 here)

[waitingforsecretsouls]

Guys, idk about anyone else but I'm starting to suspect the reason why Zahard was angry at Arlene and his motivations as a character might be a bit more layered than simply having his proposal rejected...🤔 Almost like his choices might be based on his ideals and not simply love triangle drama and the greatest war in the history of the Tower, kickstarted by V and Arlene, might have tarnished his proudest accomplishment and goal.

[musicalmoritz]

I want so badly to write more short, slice-of-life TBHK fics but unfortunately I am a yapper so I end up overwriting (?) them and a fic that was meant to be 2k max turns into 5k. I am incapable of writing anything without a little bit of introspection

[kateis-cakeis]

"I never knew how there was a way out of this ending. Because I think if you you told a story of a happy ending, people would somehow feel cheated, having set up Mordred and all those things. I don't know how you do that. And this is a fairly straight version of the end with one twist in the last two minutes. But- 'Cause I read Malory again, and it's not miles away. I mean there's loads of Christain bits in Malory but, and obviously they take him to the Isle and there's the barge and all that, but this is sort of a simple version of that." - Julian Murphy (Series 5 Episode 13 Commentary 40:39)

I've got to say listening to the commentary and really catching this in full is like, mannnn they misplayed what people would feel cheated by, but I respect it

[astral-catastrophe]

Every once in a while I just ignore the trauma and laugh about all the shit the ex bestie pulled

[seoafin]

when it comes to shiv i’m like in between thinking what happened was a better outcome for her or the shittiest one for her. sorry this is random. but like shiv didn’t intend to free kendall n roman she just did the younger sibiling thing (at least how i interpreted) and realized she couldn’t stand the idea of kendall getting it. when she rlly fucking wanted it. like she wanted it to be her or no one. especially as the only girl in a family full of boys you are never not competing like i so get her. so i think she’d rather tom have it cause it would mean by association she’d have it too. something how the only times she allowed power is through the men in her proximity idk. and i do think this in some sense is better for her cause kendall would’ve been a lose fucking cannon we constantly see him promise his sibilings stuff then rip it away from them. at least when tom is talking to hugo n asking for karolina we get a sense that they’re somehow aligned. especially knowing that hugo is kendalls dog and even tho if she just asked kendall to get rid of hugo he wouldn’t done so in a heartbeat. but that’s the thing she didn’t wanna ask. it just fucjing sucks that it HAD to be tom like i hate his ass. it sucks that the dynamic in her relationship ultimately changed like someone said she’s always gonna have an angry man in her house now. idk if tom yet is this amalgamation of her father that the general public has saddled her with cause he still has to answer to lukas n lukas told her point blank he wanted to fuck shiv n my mans just said sure dude whatver u want no it doesn’t bother me at all!! like i still tom is a pussy but i also know that money corrupts n chnages u so that very well could chnage. which is smt i think succesion banks a lot on the idea of giving u the now and letting u guess what happens in the future. i know i just sent a whole essay so i definitely care about shiv but i am to my core a roman girlie so it is kinda nice not to have a dog in this fight idk!!

SORRY THIS IS LATE I JUST SAW THIS

i actually disagree! i think shiv DID want to free kendall and also roman from the cycle of abuse and she did exactly that. i think the phrase that really sticks to mind is the i love you but i cannot stomach you quote from shiv to kendall. i think the saddest thing about it all is the fact that shiv is in the exact position she spent the entire show trying to avoid: being the wife and giving birth to a baby that will probably continue the cycle of abuse (and i think what hints at this is when roman says that shiv is the TRUE bloodline not kendall because kendall's kids aren't his). i honestly think it's a mix of the fact that she didn't want to give the position up to anyone AND she saw what it had done to the three of them. like i'm not going to say she was being entirely selfless but also i do think she loves kendall and roman. and in the ending you could say she's in a position in closest proximity to power in contrast to kendall and roman but it's not an enviable position. she's a mother and wife and that's all she'll ever be. tom is the man she wanted him to be. the man she tried to shape into. i think in a way it's a self fulfilling prophecy in regards to her and tom. also she was never going to escape unfortunately.

and YEAH i don't like tom i might even hate him but i can't even fault him every single person in this show absolutely sucks balls. Except Gerri. I forgive her crimes. She's so hot. like i can't even blame him for doing everything he could do rise to power. he's no different from kendall shiv or roman. he just didn't have nepo baby power. but yeah i think he and greg are two spineless pussies but so is everyone else LMAO

[myfriendgoo94]

Can we all just give Capcom some love for being one of the least evil game companies? Those guys are great.